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The Mapmaker
By studying the use of cartography in 18th century colonial administration, I am interested in how mapping and naming are used as methods to claiming land. While Joseph Conrad describes the areas to become colonized by western nations as “white spots on the map” these places had enormous economical impact in the colonial mother nations and yet at the same time they have once again become “blind spots” in our national memory. The installation The Mapmaker contains a film as well as two tapestries. A floor carpet depicts the first Danish map drawn of St. Croix (1750), and an expedition photo from St. Croix (1911) is transformed into a panoramic wall tapestry. The film consists of a text, in which I reflect on the acts of mapping and naming as ways of occupying a space, as well as on how the routes of the colonizer to some extend are continued by the routes of the tourist today.
In the novel I am reading, the protagonist says: “Now, when I was a little chap I had a passion for maps. I would look I am looking for the first map. Two men, Johann Cronenberg and Johann von Jægersberg, made the In 1745, Lieutenant Cronenberg was sent to St. Croix to start the survey. Three months later, he was dead. Apparently, the map was outstanding. No other cartographic survey
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